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Cambridge PhD tutor specialising in academic writing, research, university applications, and music
| Recent Students: 1 |
| Total Hours: 1 |
| Last Online: |
| All-time Students: 1 |
| Total Classes: 1 |
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| Recent Students: 1 | Total Hours: 1 | Last Online: |
| All-time Students: 1 | Total Classes: 1 | Signed Up: |
I am an academic, composer, musicologist, and philosopher with a PhD from the University of Cambridge. My work is interdisciplinary, bringing music and composition into conversation with philosophy, cultural theory, history, questions of identity, creativity, and Persian intellectual and cultural traditions. Alongside specialist music tuition, I work with students on academic writing, research, university applications, personal statements, and interview preparation.
My teaching combines university-level academic experience, professional creative practice, and many years of private teaching. I work with students from GCSE and A-Level through to undergraduate and postgraduate level, helping with essays, research projects, dissertations, applications, portfolios, interviews, composition, analysis, and research-based writing.
I am particularly interested in helping students think more clearly and independently: developing stronger arguments, sharpening research questions, structuring complex ideas, and communicating them with precision and confidence. In music, this extends from theory, analysis, composition, and musicianship to broader historical, philosophical, cultural, and socio-political questions.
I have taught and supervised students at university level, including at the University of Cambridge, with particular experience in academic writing, independent research, musicology, analysis, contemporary music, sound studies, and aesthetics. My work with students includes developing arguments, structuring essays and research projects, close analytical work, and detailed written feedback.
I currently teach Music at Abbey College Cambridge, working with GCSE and A-Level students on music theory, analysis, critical listening, composition, performance skills, and preparation for university entry.
I have also taught privately for many years across piano, violin, music theory, composition, improvisation, and musicianship. As Chair in Composition & Theory at Conservatoire One, I have taught contemporary composition, advanced theory and analysis, and score reading to students ranging from beginners to postgraduate level. I have also taught at the Music School of New York City and the Piano School of NYC, working with children, teenagers, and adults in both individual and group settings.
My lessons are structured around the student’s aims. In theory and analysis, I use explanation, score study, listening, and guided written work. In composition, I focus on form, notation, rhythm, harmony, texture, and the development of a distinctive musical voice. In academic writing and admissions work, I help students refine argument, structure, evidence, style, and intellectual clarity.
Academic writing and essay development, interdisciplinary research, research proposals and dissertations, university applications and personal statements, interview preparation, philosophy and aesthetics, cultural theory, Persian music and intellectual traditions, musicology, contemporary music, sound studies, music theory, harmony, analysis, composition, score study, GCSE Music, A-Level Music, IB Music, undergraduate and postgraduate music, portfolio preparation, piano, violin, improvisation, and musicianship.
I am especially well suited to students who need more than routine exam coaching: those preparing for university study, developing an argument or research project, strengthening academic writing, working across disciplinary boundaries, preparing an application or interview, developing a composition portfolio, or seeking detailed feedback on academic and creative work.
Hannah Mason – Undergraduate Student (BA in Music), University of Cambridge
“My experience with studying Music in Contemporary Societies under Saman’s supervision has been enjoyable and insightful. Saman's supervisions are engaging and informative, and his feedback on our essays and our contributions to the sessions has challenged us, encouraging us to question various perspectives on the issues at hand. I feel that as a result, my critical thinking has developed, and I have been introduced to new ways of considering topics such as Free Jazz and Ethnomusicology; Saman questions our arguments and raises questions that allow us to consider the topics in more depth. I have particularly valued Saman's patience and kindness because these qualities have helped to foster a comfortable supervision environment in which I can be at liberty to voice my opinions.”
Emily Long – Undergraduate Student (BA in Music), University of Cambridge
“Studying with Saman has been engaging where we have been able to explore a variety of topics from different perspectives. He has helped us to think critically within our essays, encouraging us to evaluate our own arguments and take part in discussions that have been aided by his thoughtful input and the questions he asks, which lead us to our own conclusions. He also incorporated music-making into our sessions, such as experimental music, and helped us to engage with a genre that most of us hadn't played before. His feedback has been positive and useful, and I really look forward to his supervisions!”
Isaac Chan – Undergraduate Student (BA in Music), University of Cambridge
“Discussions led by Saman have been extremely useful – his questions have helped expand the scope of my thinking about world music topics into many different perspectives. He is well informed about world music topics and is always willing to assist and elaborate on topics where help is needed.
Verified
PhD in Music, University of Cambridge
MA in Music Composition, University of Tehran
BA in Music Performance, University of Tehran
Certificate in Artistic Research in Music, Leuven University / Orpheus Institute
Certificate in Philosophy and Critical Thinking, University of Queensland
Additional experience includes university-level teaching and supervision, GCSE and A-Level Music teaching, private tuition in piano, violin, theory, composition, improvisation, and musicianship, and international work as a composer, performer, ensemble director, and artistic researcher.
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